Music and Hispanic/Latino Migrants in New York City
write a research paper (8 pages in length/7 sources) that examines the group, citing the readings as secondary sources, while using first-hand accounts of some kind (i.e., personal statements, interviews, casual commentary) as primary source material. MLA citation format is required.
- Introduction
- Music and Puerto Rican Migrants
- People migrated from Puerto Rico in 1898 after the Spanish American War and in 1917
- Early 1950s- social clubs
- Jibaro music and significant forms
– seis, aguinaldo, bomba, mapayé, son and danza
- instruments employed
– guitar, cuatro, maracas, and guiro
- Themes
– homeland, motherhood, nature, and idealized love.
- Music and Mexican Migrants
- migratory movements generation’
- deejays (sonidero)
- dance
- genre
- weekend dance
- Mexican population in New York City and New Jersey
- Music and the Dominican Republic Migrants
- Effects of economic and social globalization.
- Merengue Tipico
- Impact on migrants from regionality of music
- Music and class correlation
- Dominican transnationalism
- Conclusion
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